Summerfest is best
by: John Paulsen
07/19/05
Founded in 1968, Milwaukee’s Summerfest is marketed
as the world’s largest music festival. Growing up outside Milwaukee, the fest
was an annual tradition for many years. Now that I live in California, my
attendance has been somewhat sporadic, and it’s been a few years since my last
visit. Here’s a blow-by-blow account of my trip:
6/30 – The fest is set up with several grounds stages, which are accessible to
those that pay $12 at the gate, while the bigger acts play the Marcus
Ampitheater. So, for the opening day of the fest, my wife (Amy) and I secured a
pair of tickets to the John
Mellencamp / John Fogerty show at the Ampitheater. Before the show, we went
to the Potawatomi Classic Rock Stage to catch some of the set from the
oddly-yet-informatively-named Animotion-A Tribute to Rush, but the stage was
running late, so when we arrived all we saw were a few roadies setting up while
Bob Seger’s “Turn The Page” was playing over the loudspeakers. We found a couple
of empty seats at a picnic table (most of the stages are set up with twenty or
thirty rows of non-rising bleacher seats in front of the stage with picnic
tables behind them).
Since I was officially “working,” Amy headed off to buy us a couple of beers.
(Actually, she offers to get the beer even if I’m not reviewing the show as she
knows how much I hate standing in line and dealing with food service personnel –
she’s a great woman.) I could hear the ample crowd – probably there early to
secure spots for that night’s venerable headliner, the Doobie Brothers – singing
along with Seger’s tune. Looking around, one lady in front of me caught my eye.
She was middle aged, decked out in a black t-shirt and jeans, and was actually
able to light a cigarette (and sing passionately) during the line “you smoke the
day’s last cigarette / remembering what she said.” I don’t know if this was
planned or just a happy accident, but I was impressed nonetheless.
Behind me was an interesting pair of ladies, who (I hope) were in their
thirties. One was a size 2, tan and was showing off her athletic body in a belly
shirt and too short shorts. From this point on I will refer to her as Tiny. Her
friend, Not Tiny, wasn’t so fit, but was unfortunately dressed in a similar
manner. The pair was surrounded by several guys, all of whom seemed to be mainly
interested in getting into Tiny’s shorts. I will call them the Jackals. Amy
returned with the beer and Animotion-A Tribute to Rush started up. I noticed
that the roadies I saw earlier were actually members of the band, and it made me
wonder – how big do you have to be to get your first roadie?
Putting that question aside, Animotion opened (I think) with “Freewill,” which
was well received by the crowd. Behind us, Tiny was standing on the table and,
since her shorts were so short, I could see her underwear (pink), which means
that my wife and I probably got further with her than any of the Jackals were
ultimately able to. Not Tiny was missing. After the song, Tiny curiously
proclaimed to the Jackals that the band sounded better than the real thing –
none of the Jackals protested and were likely encouraged by this strange
statement. The band then moved into a long, unfamiliar song (at least to this
writer, whose Rush collection consists solely of a greatest hits album), which
made me wonder – why wouldn’t a tribute band start their show with two hits?
During this opus, Not Tiny returned and said that the band sucked and Tiny
curiously shifted her position and agreed. Then the band played “The Trees,”
which I liked but Amy didn’t. During this song, Tiny, Not Tiny and the Jackals
departed, presumably to wreak havoc at some other locale. Animotion was the best
Rush tribute band that I’ve seen, but that’s not saying much (it’s not saying
anything, actually). For what it’s worth, the singer sounded like Geddy Lee and
the drummer didn’t suck, so the pieces seem to be in place.
Anyway, it was getting to be that time, so we headed for the Ampitheater to
catch the Mellencamp /
Fogerty show, which was set to start at 7. I’ve already
reviewed this show, so I’ll just mention a couple of interesting scenes: 1) A
dad returning from the concession stand with a beer for himself and a
non-alcoholic Sharp’s for his barely-teenage son. Judging by the son’s reaction,
this was the first time that this had happened and, as he took a sip, I could
see another true Milwaukeean was born. 2) Two drunk guys in their mid-twenties
were in front of us – one accompanied by a drunk girlfriend and the other with a
very pregnant wife (who was, understandably, both sober and annoyed). The two
guys were singing – to each other, mind you – the “Hurts So Good” lyric “sink
your teeth right through my bones, baby!” I was going to let them know that
singing that lyric to one another made them look quite gay – not meant as an
insult, just an observation – but I wisely kept this observation to myself. I
sure felt sorry for the pregnant wife, though.
7/1 – For the Tom Petty /
Black Crowes concert, we went directly to our seats, so there wasn’t a lot
of time for people watching on the general grounds. I was pretty annoyed by the
stage setup for the Black Crowes portion of the show – there was a tall stack of
boxes (monitors, maybe?) on the corner of the stage that completely blocked my
view of Chris Robinson’s microphone. So we moved down to some empty seats closer
to the stage. I remembered from previous Ampitheater shows that sometimes they
don’t sell seats right next to the stage if they are on an extreme angle. The
Black Crowes finished up and when Tom Petty & The Heartbreakers came to the
stage, there was a distinctly herb-ish smell in the air. I was somewhat
surprised by the makeup of the crowd – there was a nice mix of older and younger
fans. There were a couple of boys behind us that looked like they were maybe
freshmen in high school. Next to them were a group of college-aged (drunk and/or
stoned) girls, and by the end of the night, the girls had grabbed the boys and
started dancing with them – the boys looked like they didn’t know what hit them.
Man, I wish that had happened to me when I was 15.
7/3 – Steve Winwood was the main
reason for our visit this evening, but we headed down early to see a U2 cover
band, U2 Zoo. We secured some seats about eight rows back center stage. It was
kind of comical when “Bono” first came out. He seemed a little nervous, and
really didn’t look anything like the U2 frontman. He tried to speak with Bono’s
inflection and when he said, “we come from the North side of Milwaukee,” I
couldn’t help but chuckle. But they started playing, and they sounded damn good.
They ran through a gauntlet of hits, including “Hold Me, Thrill Me, Kiss Me,
Kill Me,” one of my favorites. As the set wore on (and the crowd became more
intoxicated and less self-conscious), a full-fledged rock concert ensued. I’ve
only seen one other U2 tribute band, Propaganda (from Southern California), and
U2 Zoo blew them away.
After the show, we moved up a few rows and Milwaukee native Greg Koch took the
stage. Accompanied by a drummer and a bassist that looked a lot like porn star
Ron Jeremy, Koch showed his substantial guitar chops on a few original works
along with the Beatles’ “I Want You” and the Johnny Cash tune “Folsom Prison
Blues,” mixing in the blistering blues riff from Led Zeppelin’s “Bring It On
Home.” He also played a few medleys and effortlessly incorporated one familiar
guitar riff after another. The biggest crowd highlight during this set was a guy
in the front row – he had a feathered mullet and was wearing a wife beater shirt
and jean shorts with the handle of a white plastic comb sticking out of his back
pocket. It was absolutely priceless.
Anyway, Steve Winwood came out. After a slow start, my wife and I (along with
the entire first few rows) were standing while he performed “Higher Love” and
“The Low Spark of High Heeled Boys.” During those tunes we heard several “down
in front!” orders behind us. I don’t usually give in to such requests and I
certainly wasn’t going to in this case – after such a slow start, Winwood had to
feel the love. At one point, Amy turned around and said, “Dude, you’re at a rock
show!” I turned around to see a visibly drunk guy say – with his eyes half
closed – “sit down so everyone can see!” I was thinking, “Dude, you’re not
seeing anything.” Luckily, the next few songs got the entire crowd into it so we
didn’t have to endure any more complaints from the cheap seats. Towards the end
of the show, this woman – who I guess was kind of a butterface (everything is
good but her face) – was “dancing” on the first set of bleachers and suddenly
bent over and threw up. She immediately took a swig of her MGD, apologized to
those around her and kept dancing. Go Milwaukee!
7/4 – The main event for us on Independence Day was to see comedian Lewis Black
(“The Daily Show”) perform at the 21-and-over JoJo’s Martini Lounge (tent),
which was a new addition this year. We got there too early, and had to endure
the Potawatami Legends Show – A Tribute To Grease. I actually like “Grease,” and
I didn’t mind the idea of sitting through the back half of a tribute to get good
seats to see Lewis. But after walking in during the cast’s acceptable rendition
of “You’re The One That I Want,” and thinking that all I had to endure was a
little “We Go Together” before some welcome silence, the group went into a
series of lengthy medleys of old ‘50s tunes that had nothing to do with
“Grease.” I wandered off towards the bar and left Amy to deal with the headache
of saving our seats. Have I mentioned what a great woman she is?
The martini bar was something to behold. There were about a dozen different
pre-mixed martini selections, including your basic Cosmopolitan as well as
several less common mixes. Oddly, a basic dirty martini wasn’t offered, which
made me wonder if the martini bar really deserves its moniker. I selected
something that I was told “kind of tasted like a White Russian,” and dropped off
Amy’s Cosmo (the ‘50s medleys were still in full swing). I headed outside the
tent and called the best man at my wedding (Alan) to see if he had any pity for
me (he didn’t). Once I heard the tribute wrapping up I headed back inside. Amy
told me that while I was gone this sleazy guy next to us was smiling at her as
he took drags off his cigarette, which I found humorous because there is nothing
that Amy finds more disgusting than a sleazy guy smoking a cigarette. Lewis
Black came out a short while later and put on a good set – it wasn’t his best
stuff, but he’s a naturally funny guy and generated a lot of laughs. As he got
into more of the political stuff – he seems to be a common sense liberal – and
started ripping on Bush (and Kerry), I could sense a little more tension in the
room as the conservatives in the tent failed to show any sense of humor about
their choice for President. Regardless, I’d recommend Black to any fan of live
comedy with an IQ over 100.
7/7 – Amy was up in Northern Wisconsin visiting family, so I was on my own for
the Weezer / Pixies show.
After an opening band, the Pixies came out and mowed through a 26-song set. I
moved up to some empty seats on the side of the stage and enjoyed the nice view
for a while before some jackass security guard asked to see my ticket. Not
bothering to show him, I headed back to my seat thinking to myself “I’m sitting
down in an empty seat in the third row – who the fuck cares?” There was a Pixies superfan in the front row that also got booted by the same jackass. As the set
went on, the superfan ended up in the row behind me and the Pixies must have put
on a good set, because the superfan was quite enthusiastic. The set over, I
headed out to grab a beer and saw this guy with a BBC microphone interviewing
concertgoers. As I was wondering if he was really from the BBC or if it was just
a way for him to meet girls, a guy walked up to me and asked me that very
question. We conversed for a bit and the guy’s wife walked up and we chatted for
a while longer. The lights went off in the venue so I headed back inside. Weezer
sounded good but the set list was less than spectacular, so I left the venue
somewhat disappointed. I decided to stop by the Harley-Davidson Roadhouse and
catch a little of the Death Cab For Cutie set. The stage was immensely crowded,
but I was able to get to a decent vantage point a few songs before the band
played “The Sound of Settling.”
7/9 – On the spur of the moment, we decided to attend Summerfest one more time
to catch the
Cardboard Vampyres, a super-group of sorts formed by Jerry Cantrell (Alice
In Chains) and Billy Duffy (The Cult). But before that, we had to sit through
the offerings of Ginger Jake. While many of the rock fans present seemed to
enjoy the set, I’d sum up their music the following way: Ginger Jake =
Evanescence + hotter chick + guy screaming – semblance of melody. During the set
a very drunk guy (maybe in his 40s) meandered about in front of us and unwisely
got up on the bleacher. It wasn’t long before he lost his balance and tumbled
backwards into the people next to us. The woman in front of us leaned back and
said, “I hope he pisses his pants and wakes up tomorrow and realizes he pissed
his pants.” I thought this was an awfully negative (not to mention redundant)
attitude so I mentioned to Amy, “Then I hope he cleans himself up and cures
cancer.”
The Cardboard Vampyres were a half hour late coming out (annoying) but put on a
good show once they decided to start. Throughout the set list, the group dabbled
in Alice In Chains (“Would,” “Man In The Box”) and the Cult (“Love Removal
Machine,” “Wild Flower”). The rest of the set list consisted of cover songs
including Metallica’s “Seek and Destroy,” AC/DC’s “Givin’ the Dog a Bone,”
Aerosmith’s “Draw the Line” and even the Beatles’ “Helter Skelter.” The lead
singer, Eric Dover (of Slash’s Snakepit), was fairly distracting to watch, but
vocally seemed to be able to handle all the tunes. I tried to focus on the
guitar work of Cantrell and Duffy, but whoever was working the spotlight wasn’t
making my job very easy. I was never a big Alice In Chains fan, but I like the
Cult and left the venue reasonably happy with the performance, despite the tardy
start time.
So that, in a large nutshell, is my Summerfest experience. For those thinking
about visiting Milwaukee for Summerfest, one of the great things about fest is
that they have buses running from Park & Rides throughout the area, so parking
and drunk driving are less of an issue. Also, this year Summerfest made a point
to cater to “older” patrons, and now that I’m 31, I guess that includes me.
There was some concern that this would drastically affect turnout, but that
apparently wasn’t a problem. Over the last three years, the event has drawn an
average of 929,000 visitors – over 84,455 a day. This year, the event drew
901,841 visitors, which was actually up 4% from last year. Revenues were also
up, which was the bigger concern for the fest’s management, so this year’s fest
was a success. I do hope that next year, there are a few more artists directed
at the younger crowd (like Coldplay, the White Stripes and Beck in the
Ampitheater) and a few more up and coming bands (like Dogs Die In Hot Cars, Hot
Hot Heat, Kings of Leon, Modest Mouse and Rilo Kiley) on the side stages.
Send any questions, comments or wine stories to jpaulsen@bullz-eye.com.
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